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Art 20J - Virtual Open Studios Spring 2021

ART 20J Introduction to Drawing and Painting Virtual Open Studios Spring 2021 

Instructor - Melissa Gwyn


Beatriz Juarez (she/they)

Beatriz Juarez 1

Drawing Emulation 

Charcoal on paper 

Taking from the works of Philip Pearlstein to practice application of value 

 

Beatriz Juarez 2

“A still life: what I surround myself with”

Charcoal on paper

Taking an assortment of my belongings to bring them to life with the experimentation with vine and compressed charcoal

 

Beatriz Juarez 3

Still Life Painting 

Acrylic on stretched canvas

 

Beatriz Juarez 4

Sun and Life Emulation 

Acrylic on stretched canvas


Callie Gaytan

Callie Gaytan 1

Callie Gaytan

“Light”

Acrylic on Bristol Board

This still like painting is meant to invoke the feeling of a quiet day in just before the sun has begun to set, in which the viewer has done nothing but enjoy their afternoon.

 

Callie Gaytan 2

Callie Gaytan

“Emulation of Woman and Satyr by Giovanni Battista”

Ink on Bristol Board

This piece is meant to emphasize the importance of light and dark in a composition, as well as abstract forms creating something recognizable.

 

Callie Gaytan 3

Callie Gaytan

“Picnic”

Acrylic on Bristol Board

This painting is meant to emulate the feeling of a picnic on a hot summer day using only analogous colors.

 

Callie Gaytan 4

Callie Gaytan

“Old Fashioned”

Pencil on Sketch Paper

This scenery piece is meant to invoke a feeling of nostalgia, as well as show weighted pencil strokes and how they contribute to the stylistic choices of a piece.


Daniela Abarca

Daniela Abarca 1

“The Kiss Wash Emulation”

Ink on Bristol Paper

An emulation of “The Kiss” sculpture by Auguste Rodin using ink wash.

 

Daniela Abarca 2

“Perspective With Charcoal”

Charcoal on Paper

Practice with perspective using charcoal, a pine cone and a bunny shaped eraser.

 

Daniela Abarca 3

“Maya”

Acrylic on Bristol Paper

A portrait of someone who means a lot to my family and I using only red, yellow and white acrylic paint.

 

Daniela Abarca 4

“Lunch Time”

Acrylic on Bristol Paper

A still life of items in my kitchen using acrylic paint.


Davis Goodman 

Davis Goodman  1

Davis Goodman

“Koi Pond”

Acrylic on bristol

This painting focuses on implying the surface of the water with the details floating atop it

 

Davis Goodman 2

Davis Goodman

“Candle Frog”

Acrylic on canvas

Each object displays its own unique textural and reflective properties

 

Davis Goodman 3

Davis Goodman

Reproduction of “Stag at Sharkey's” (1909) by George Bellows

Acrylic on canvas

The painting’s forms emphasize the motion and power of the boxers

 

Davis Goodman 4

Davis Goodman

“Shiny Still Life”

Charcoal on paper

The objects show their textures with both strong and subtle highlights and reflections


Jessica Parham

Jessica Parham 1

“Still Life #1”

Acrylic on Bristol 

This is a grisaille painting of different objects to show value. 

 

Jessica Parham 2

“Subtractive Avocados”

Charcoal

By using a subtractive method, this piece is an emulation of a photograph by Edward Steichen. 

 

Jessica Parham 3

“Still Life #2”

Acrylic on Bristol

Description 

 

Jessica Parham 4

“Philip Pearlstein Emulation”

Pencil

This is an emulation of a drawing by Philip Pearlstein to show value. 


Joann Marie Wong 

Joann Marie Wong 1

“The Big Dory Acrylic Emulation” 

Acrylic on Stretched Canvas  

This is an emulation of George Bellows’ oil painting The Big Dory using acrylic paint. 

 

Joann Marie Wong 2

“Haven’t Practiced Today”

Acrylic on Stretched Canvas 

A still-life painting of my keyboard with a focus on using chromatic grays as well as warm and cool colors to depict value. 

 

Joann Marie Wong 3

“Photo of an Ocean Sunfish Catch Emulation”

Acrylic on Stretched Canvas 

This is a grisaille painting of a photograph made with the goal of depicting a sense of depth and volume using only black and white acrylic paint. 

 

Joann Marie Wong 4

“Men Hunting Emulation” 

Ink on Bristol Paper 

Practice using ink wash by emulating Francisco de Goya’s drawing Men hunting; page 105 from the 'Images of Spain' album (F) 


Marceline Cyrus

Marceline Cyrus 1

Marceline Cyrus

“Rats on the Chopping Board”

Acrylic on Canvas

 

Marceline Cyrus 2

Marceline Cyrus

“Wizard Cap”

Acrylic on Bristol

 

Marceline Cyrus 3

Marceline Cyrus

“Miming”

Charcoal on Bristol

 

Marceline Cyrus

Marceline Cyrus

“Prisoner”

Ink Wash on Bristol


Nicole Chu

Nicole Chu 1

Nicole Chu

“New York Love”

Oil on Canvas

 

Nicole Chu 2

Nicole Chu

“Still Life”

Acrylic on Canvas

This painting is a study of how color and reflections of color create depth and character. 


Ruby Phillips

Ruby Phillips 1

Ruby Phillips

“Still Life”

Acrylic on Canvas

 

Ruby Phillips 2

Ruby Phillips

“Girl in Blue Shoes”

Acrylic on Canvas

 

Ruby Phillips 3

Ruby Phillips

“Still Life”

Charcoal on Newsprint

 

Ruby Phillips 4

Ruby Phillips

“In My Room”

Charcoal on Newsprint


Sage Wallace Simms

Sage Wallace Simms 1

Market Flowers

Acrylic on canvas

 

Sage Wallace Simms 2

Santa Cruz 

Watered acrylic on multimedia paper

 

Sage Wallace Simms 3

Kitchen Trinkets 

Acrylic on canvas 

 

Sage Wallace Simms 4

Sunday Landscape

Acrylic on canvas