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Virtual exhibition reception for Eduardo Carrillo: Comunidad de Califas

Eduardo Carrillo, Los Tropicanas (1972)
Wed, Feb 3, 2021, 4:00 pm to 5:00 pm
Online event

Eduardo Carrillo: Comunidad de Califas Reception
Online Reception via Zoom on Feb. 3 @ 4:00-5:00pm
The reception will feature a tour of the virtual exhibition hub, website, and a panel discussion with Amalia Mesa-Bains, Philip Brookman, and others.
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The Sesnon Gallery exhibition Eduardo Carrillo: Comunidad de Califas anthologizes the life-work of the titular artist through his personal manifestations of “Califas”– in identity, spirituality, and community. Califas is a branch of the Chicanx movement that centers Californian Latinx culture and struggle in its educational mission. In the current age, we seek a type of beauty that reflects our neighbors and our towns. We seek strength in togetherness, a notion that Eduardo Carrillo emulated in his art and during the conception of Califas. What can ancestry and tradition teach us about resilience in the face of oppression?

Eduardo Carrillo's legacy is told by those who knew him in friendship, scholarship, and allyship. The reception will feature a tour of the virtual exhibition hub, website, and a panel discussion with Amalia Mesa- Bains, Philip Brookman, and others with introductions by Shelby Graham, Sesnon Gallery Director.
This exhibition is sponsored by Museo de Eduardo Carrillo and the Arts Division at UC Santa Cruz.

Amalia Mesa-Bains is an artist and cultural critic who has worked to define a Chicano and Latino aesthetic in the United States and in Latin America.
Her artworks, primarily interpretations of traditional Chicano altars, resonate both in contemporary formal terms and in their ties to her Chicano community and history.  As an author of scholarly articles and a nationally known lecturer on Latino art, Mesa-Bains has enhanced the understanding of multiculturalism and reflected major cultural and demographic shifts in the United States.  She has pioneered the documentation and interpretation of long-neglected Chicano traditions in Mexican-American art, both through her cultural activism and through her own altar installations.

Philip Brookman has been a consulting curator with the National Gallery of Art since 2014, where he organized the critically acclaimed work of photographer Gordon Parks. Brookman is also a photographer, filmmaker, and writer who has worked extensively on issues of modern and contemporary art. He has organized and collaborated on major exhibitions for other museums including the Tate Modern, London, the National Gallery of Art, Washington, and The Museum of Fine Arts, Houston. He was previously Senior Curator of Photography and Media Arts at the Corcoran, and has held curatorial positions at Washington Project for the Arts, El Centro Cultural de la Raza, San Diego, and the University of California, Santa Cruz.