Sculpture, Interactive Art, New Media, and Kinetic Art
Parker maintains a multifaceted art practice at the intersection of art and science. The conceptual framework of her research includes a literal, formal, and idiomatic approach to materials and a political, private, and metaphorically abstract attitude toward expression as it relates to information and creativity. This research approach animates a space of possibility by asking the viewer to pay attention to the overlooked details, juxtapositions and interdependencies of our physical and sensory experience in the world around us. To pull information out of pie charts and graphs, to look at, feel and explore ideas as new and innovative forms of expression.
For Parker, being an artist means being an activist, thinker, historian, and teacher who creates deployable art platforms for creating sound, and digital media with organic materials and traditional sculpture fabrication techniques to ask questions and to tell stories.
Parker’s work has been exhibited, performed and presented in Silicon Valley and the Bay Area in places such as the Yerba Buena Center for the Arts, SF Camerawork, The LAB, Gray Area Foundation for the Arts, Bay Area Science Festival, SFMOMA, Southern Exposure, California Academy of Science,ZER01, Biennial, Tech Museum; Montalvo Art Center, Bay Area Maker Fair, and Kala Art Institute. Nationally, Parker has exhibited at ISEA12 in Albuquerque, New Mexico; Kantor Gallery in Los Angeles, CA; Contemporary Arts Forum in Santa Barbara, CA; the Bessie Schöenberg Theater in New York; and the Tacoma Art Museum in Washington. Internationally, Parker has shown at the de Baile in Amsterdam, Holland; The War Memorial Museum in Seoul, Korea; the World Trade Center in Osaka, Japan; the Iskra History Museum in Kazanlak, Bulgaria; Califia Galerie and Školská 28 Galerie in the Czech Republic; and the Sala de exposiciones Parque García Sanabria Santa Cruz de Tenerife, Spain.
She is the recipient of several grants, awards, and fellowships including Artworks NEA, NSF Research Experiences for Undergraduates, Art Matters, New Forms Regional Grant administered by the Inter-Arts Program of the NEA, Epsilon/Alliance Environmental Art and Education, American Psychoanalytic Foundation Award, The New Jersey State Council of the Arts, and the Kate Neal Kinely Memorial Fellowship Award
Contributions to books
Book Chapter: Parker, J. Slow FAST Forward: Enacting Digital Art and Civic Opportunities. In Elliott, D. J., Silverman, M., & Bowman, W. (Eds.). The Oxford Handbook of Artistic Citizenship. New York: Oxford University Press. (Oct 2016)
Ebook: Roger F. Malina, Carol Strohecker, and Carol LaFayette, on behalf of SEAD network contributors, Steps to an Ecology of Networked Knowledge and Innovation: Enabling New Forms of Collaboration among Sciences, Engineering, Arts, and Design. MIT Press Journals (Parker, J., is a SEAD network member and white paper author sited on pages 3,60-62,79)
Old and new Media, Interactive Art, the Body, Sound, Kinetic Art, and Video
Baskin Visual Arts
UC Santa Cruz
1156 High Street
Santa Cruz, CA 95064