October 3 - December 6, 2014
Sesnon Gallery Reception for the artists: October 15, 5-7pm
Performance by Guillermo Gómez-Peña Nov. 6 @ DARC 8pm
Workshop with Guillermo Gómez-Peña Nov. 7 @ DARC 12-5pm [workshop is full. Please email for details: firstname.lastname@example.org]
Discussions and performances every Wednesday evening during late hours 5pm-8pm. Please see website: arts.ucsc.edu/sesnon
October 22, Artist Talk 7pm by Felicia Rice: "DOC/UNDOC: Collaboration and Metamorphosis"
October 29, Artist Talk 7pm by Gustavo Vasquez Video collaboration
November 5, Artist Talk 5pm by Jennifer González critical writing collaboration
gallery closed for holidays Nov. 11, 27, 28
Also showing at Felix Kulpa, downtown Santa Cruz.
Please join us as we unfold this innovative performative book into a gallery installation. The outcome of a seven-year collaboration, DOC/UNDOC, Documentado/Undocumented Ars Shamánica Performática, features Guillermo Gómez-Peña’s performance texts and Felicia Rice’s relief prints and typography, accompanied by Jennifer González’s critical commentary. The deluxe edition is housed in a hi-tech aluminum case containing a video by Gustavo Vazquez, an altar, and a cabinet of curiosities. Opening the case triggers light and Zachary Watkins’ interactive sound art.
The object itself carries within a crisis of identity: What is it exactly? A stage for an intimate one-on-one performance? An unusual video screening room? A personal multi-media altar?
“How do we create a more intimate, performative and ritualized experience for the viewer/participant in this unique book object? Its interactive dimension may be its main contribution to the field of experimental book art or rather “performative book art.” —Guillermo Gómez-Peña
This interdisciplinary collaboration explores the provocative topic of documentation of identity in America from multiple perspectives through the lens of the arts. “The book invites us to consider an ongoing tension as we navigate a world of politics and appearance, racism and immigration, self and other.” —Jennifer González
This exhibition couldn't have been more timely due to our current political climate in the United States.
Documentado/Undocumented Ars Shamánica Performática is
A traveling case for apprentice shamans
A reliquary for imaginary saints
A toolbox for self-transformation
A quiet call to heal yourself with fetishes and antidotes
A border kit to face the uncertainty of future crossings
A new project, seven years in the making
The object itself carries within a crisis of identity: What is it exactly? A stage for an intimate one-on-one performance?
An unusual video screening room? A personal multi-media altar? A “vanity” used for preparing for a performance?
It is all these things and it is also an original book, a performative artists’ book in search of a new format
and a new audience. Each element stands by itself, but together they form an indescribable whole.
Look for some exciting events and discussions on this hot topic this fall!
More on each artist:
Guillermo Gómez-Peña is a performance artist, writer, activist, radical pedagogue and director of the performance troupe La Pocha Nostra. Born in Mexico City, he moved to the US in 1978. His performance work and 10 books have contributed to the debates on cultural diversity, border culture and US-Mexico relations. His art work has been presented at over eight hundred venues across the US, Canada, Latin America, Europe, Russia, South Africa and Australia. A MacArthur Fellow, Bessie and American Book Award winner, he is a regular contributor for newspapers and magazines in the US, Mexico, and Europe and a contributing editor to The Drama Review (NYU-MIT).
Jennifer A. González teaches in the History of Art and Visual Culture department at the University of California, Santa Cruz and at the Whitney Museum Independent Study Program, New York. She has written for numerous periodicals including Aztlán, Frieze, Bomb, Camera Obscura, and Art Journal. Her essays about cyborg bodies and racial embodiment in digital art can be found in anthologies like The Cyborg Handbook (1995) and Race in Cyberspace (2000). Her book Subject to Display: Reframing Race in Contemporary Installation Art (MIT Press, 2008) was a finalist for the Charles Rufus Morey Book Award.
Felicia Rice is a book artist, typographer, letterpress printer, publisher, and educator. She has collaborated with visual artists, performing artists and writers under the Moving Parts Press imprint since 1977. Work from the Press has been included in exhibitions from AIGA Annual Book Shows in New York and Frankfurt to the Victoria & Albert Museum. Her books are held in numerous collections including Stanford University, the Whitney Museum of American Art, New York, and the Bodleian Library, Oxford. She has been the recipient of multiple awards, most recently the Rydell Visual Arts Fellowship, and grants from the NEA, CAC and the French Ministry of Culture.
Gustavo Vazquez, originally from Tijuana and currently residing in San Francisco, is an independent filmmaker and teaches in the Film and Digital Media department at the University of California, Santa Cruz. Vazquez has directed over thirty productions, including documentaries, video installations, and experimental narratives. His work has shown at film festivals and art exhibitions including the Luton UK, Festival Internacional de Cine de Morelia, Mexico, L’immagine Leggera, Palermo, Italy, Margaret Mead Film and Video Festival Broadcast on National PBS. He is a co-author of Documentary Filmmaking: A Contemporary Field Guide, 2nd edition published by Oxford University Press in October 2013.
Zachary James Watkins is a sound artist who has earned degrees in composition from The Cornish School and Mills College. Zachary has received numerous grants and commissions and presented works in festivals across the United States, Mexico and Germany. His 2006 composition Suite for String Quartet was awarded the Paul Merritt Henry Prize for Composition and has been performed as part of the 2nd Annual New Music Marathon in Seattle, WA the Labs 25th Anniversary Celebration and the Labor Sonor Series at Kule in Berlin. Zachary has enjoyed artist residencies at both the Espy Foundation and Djerassi. He currently teaches Electronic Music at UCSC.
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